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《海上传奇》戛纳首映 获媒体观众广泛认可

《海上传奇》戛纳首映 获媒体观众广泛认可

I Wish I Knew Premiered in Cannes, Earned the Acceptance of Press and Audience

 

法国当地时间516日下午,中国导演贾樟柯带着新片《海上传奇》走过了戛纳电影节为今年一种关注单元新铺设的红毯。虽然贾樟柯拍摄的上海世博会献礼片《海上传奇》是一部纪录片,但当天前来捧场的嘉宾分量之重却是让人咋舌。走红毯时,除了该片的主演赵涛、顾问林旭东、出品方代表安钢及上影集团代表徐杰外,中国导演王小帅、演员秦昊,法国女演员朱丽叶 比诺什也逐一亮相。而映后派对更是云集了著名导演阿巴斯以及欧洲多个电影节的主席。威尼斯电影节主席马克 穆勒盛赞《海上传奇》,没想到贾樟柯会这样拍电影,他的艺术实践又往前进了一步。

In the afternoon of May 16th, the Chinese film director, Jia Zhangke, with his new film I Wish I Knew walked through the red carpet of A Certain Regard in Cannes Film Festival. Although I Wish I Knew is a documentary for the Shanghai World Expo, but the guests who came to support this film were really somebody. On the red carpet, Except the star Zhao Tao, the consultant Lin Xudong and the producer representative An Gang, Chinese director Wang Xiaoshuai, actor Qin Hao and French actress Juliette Binoche also came to the scene. The famous director Abbas Kiarostami and the presidents of several European film festivals were present in the after-party. The president of Venice International Film Festival Marco Müller highly praised I Wish I Knew, “I never thought Jia Zhangke would shoot a film like this, he made a further progress in his art practice.”

法国著名影评人、《电影手册》前主编米歇尔 傅东则向外媒表达了他的吃惊,他说,这部影片用笔恢弘,在对一些人采访,让他们讲述自身经历的基础上,用准确但简洁的手法,讲述了近一个世纪来的中国历史和成百上千万人的生活。这是一部小小的纪录片,同时又给人巨大的发现,很令人感动。他进一步表示,即便那些不了解中国历史的人,也会猜测、并被其中每个人的具体经历,比如家庭问题、爱情婚姻问题所感动。正是通过这些个人化的非常具体的讲述,最后可以得出一个普遍性的结论和印象。他尤其对于18个人物的讲述印象深刻,他认为,影片带来的强烈情感的背后力量,是因为这18个人物个体生活的经历。

 

The French famous film critic, the previous chief editor of Cahiers du Cinéma Michel Frodon expressed his surprise. “This film is very impressive. Based on the interviews and the narrative of their own stories, the film tells the Chinese history of nearly a century and the lives of hundreds of thousands people with an accurate but simply way,” he said. “Even those who do not understand Chinese history would suspect and be touched by the personal specific experience such as the stories of families and love. It is through these very personal and detailed narratives that we can draw a general conclusion and impression,” he added. In particular, the narratives of 18 people impressed him deeply, he believed: “The power behind the strong emotions in the film is from the real life experience of these 18 people.”

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